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Publications List

Exploring social perceptions of queer and trans music therapists and clients: A qualitative story completion study

Bethany Mulley; Victoria Clarke; Luke Annesley

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What do we mean by ‘creative health’? The benefits of defining ‘creativity’ in the arts and health field

Nicola Holt

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Introduction: Charting areas of the arts and health

Nicola Holt; Sofia Vougioukalou; Victoria Tischler; Elisabetta Corvo

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Conclusion: Reflections on the arts and health as a field

Nicola Holt; Sofia Vougioukalou; Victoria Tischler; Elisabetta Corvo

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Arts in social prescribing

Nicola Holt; Sofia Vougioukalou; Helen Chatterjee

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Unpacking the creativity advantage: Lessons from psychology on the benefits of the arts

Molly Holinger; Nicola Holt; James Kaufman,

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Using the visual arts and crafts for health and wellbeing: The EPICS framework

Nicola Holt; Alison Rouse; Sophie Olson

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Words as therapy

Christine Ramsey-Wade; Claire Williamson; Jose Billington; Carol Ireland

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Apples and oranges? The importance of recognising heterogeneity in Arts and Health research publications

Anita Jensen; Nicola Holt; Hilary Bungay

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Arts-based interventions: Why it’s complex, and why that matters: Comment on “Can arts-based interventions improve health? A conceptual and methodological critique” by Skov and Nadal

Nicola Holt

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Understanding the silences, not just the music: An exploration into Music Therapists’ meaning making of silence in improvisational music therapy

Garrick Wareham; Luke Annesley

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Which personal and social resources help adolescents to recover from negative affect in daily life? An experience sampling study

Nicola Holt et al.

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‘The First Cut is the Deepest’: A conversation between a music therapist and their first training supervisor, 15 years on

Luke Annesley; Andy Lale

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Student-generated metaphor in research supervision: An arts-based method

Christine Ramsey-Wade; Matthew Cott

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‘Go with the "wave of music" to dive deep’: Exploring perceptions of psychedelic-assisted therapy and the role of music within this practice

Ann MacLeod; Victoria Clarke; Catherine Warner

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Critical perspectives on art on prescription

Hilary Bungay; Nicola Holt; Anita Jensen

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‘I’m coming out’: The role of music in LGBTQ+ identities

Karen Jones; Victoria Clarke; Luke Annesley

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Developing an evaluation strategy in Kashmir: Assessing the impact of an arts intervention with school children in an area of conflict

Nicola Holt; Michael Buser; Emma Brännlund; Julie Mytton; Lorraine Leeson; Vikramjeet Sinha; Anarupa Roy

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The impact of Arts on Prescription on individual health and wellbeing: A systematic review with meta-analysis

Anita Jensen; Nicola Holt; Sayaka Honda; Hilary Bungay

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‘Where do you feel it most?’ Using body mapping to explore the lived experiences of racism with 10- and 11-year-olds

Luci Gorell Barnes et al.

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In/secure childhoods: Children and conflict in Kashmir

Emma Brännlund; Michael Buser; Nicola Holt; Julie Mytton; Afeefa Fazli, Loraine Leeson; Vikramjeet Sinha; Anarupa Roy

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"Music therapy is the very definition of white privilege": Music therapists' perspectives on race and class in UK music therapy

Tamsin Mains; Victoria Clarke; Luke Annesley

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"Surprisingly helpful": An exploration of trainee and registered music therapists' perspectives on the current role of personal therapy in music therapy training in the United Kingdom

Megan Brand; Victoria Clarke; Catherine Warner

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Colouring for wellbeing: Evidence and applications

Nicola Holt

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Art and the schizophrenic spectrum

Nicola Holt

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The tree(s) of hope and ambition: An arts-based social science informed, participatory research method to explore children's future hopes, ambitions and support in relation to COVID-19

Luci Gorell Barnes et al.

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The impact of remote arts on prescription: Changes in mood, attention and loneliness during art workshops as mechanisms for wellbeing change

Nicola Holt

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Creating a difference – a role for the arts in addressing child wellbeing in conflict-affected areas

Michael Buser; Emma Brännlund; Nicola Holt; Loraine Leeson; Julie Mytton

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Experiences of music therapists sharing improvisation remotely during lockdown

Luke Annesley; Nicky Haire

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Searching for Lauren Berlant: Reflections on writing, temporality and loss

Clare Johnson

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The use of “art” as a resource in recovery from the impact of sexual abuse in childhood: A qualitative systematic review

Alison Rouse; Elizabeth Jenkinson; Catherine Warner

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Let the atrocious images haunt us: Encounters with conflict and connection in visual art making

Alison Rouse

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‘You don't take things too seriously or un-seriously’: Beyond recovery to liminal and liminoid possibility in a community arts and mental health project

Mike Chase et al.

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‘Sewing Together’: An idiographic study of a music therapist’s experiences of a group at a special school for children and young people with severe and complex special educational needs

Luke Annesley; Nicolette O'Neill

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Heritage art with an intent

Nina Sabnani; Michael Buser

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Learning how to learn: The role of music and other expressive arts in responding to Early Leaving from Education and Training (ELET) in the STALWARTS project

Catherine Warner et al.

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'It's just a different dimension': Music therapists' experiences of hearing loss

Sara Cole; Catherine Warner

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Interdisciplinary Research in Rajasthan, India: Exploring the Role of Culture and Art to Support Rural Development and Water Management

Michael Buser

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Therapeutic writing for disordered eating: A systematic review

Christine Ramsey-Wade; Heidi Williamson; Jane Meyrick

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Parents’ perspectives on their children’s music therapy: A synthesis of qualitative literature

Luke Annesley; Eamon McKeown; Katherine Curtis-Tyler

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Tracking momentary experience in the evaluation of arts-on-prescription services: Using mood changes during art workshops to predict global wellbeing change

Nicola Holt

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Creativity and Schizotypy

Nicola Holt

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Reading and writing for well-being: A qualitative exploration of the therapeutic experience of older adult participants in a bibliotherapy and creative writing group

Brianna Malyn; Zoe Thomas; Christine Ramsey-Wade

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Challenges and joys of using the experience sampling method to examine the impact of the arts on wellbeing

Nicola Holt

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Maternal art and post-natal wellbeing: Proximity and separation in Lena Simic’s Contemplation Time (2007-8) and Eti Wade’s Jocasta (2008)

Clare Johnson

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From nursing Virgins to brelfies: The project of maternal femininity

Clare Johnson; Jenny Rintoul

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Cognitive and affective benefits of coloring: Two randomized controlled crossover studies

Nicola Holt; Leah Furbert; Emily Sweetingham

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Two kinds of music therapy: Exploring ‘genre’ in the context of clinical practice

Luke Annesley

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Machinic assemblages of publicness

Michael Buser

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Music therapy within an integrated project for families exposed to domestic violence: A qualitative study of professionals’ perspectives

Luke Annesley

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The expression of schizotypy in the daily lives of artists

Nicola Holt

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Is poetry therapy an appropriate intervention for clients recovering from anorexia? A critical review of the literature and client report

Christine Ramsey-Wade; Ellen Devine

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Using the experience-sampling method to examine the psychological mechanisms by which participatory art improves wellbeing

Nicola Holt

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Atmospheres of stillness in Bristol’s Bearpit

Michael Buser

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Becoming ecological citizens: Connecting people through performance art, food matter and practices

Emma Roe; Michael Buser

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Enabling connections: Counsellor creativity and therapeutic practice

Alison Rouse; Joe Armstrong; John McLeod

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Schizotypy: A creative advantage?

Nicola Holt

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The Music Therapist in School as Outsider

Luke Annesley

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The muse in the machine: Creativity, anomalous experiences and mental health

Nicola Holt

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Introspective discourse and the poetics of subjective experience

Robin Wooffitt; Nicola Holt

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Emin is screaming: Empathy as affirmative engagement in Tracey Emin's Homage to Edvard Munch and All My Dead Children (1998)

Clare Johnson

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